Between perception and imagination: aesthetic experiences in the lifeworld
DOI:
https://doi.org/10.33361/RPQ.2026.v.14.n.39.1419Keywords:
Phenomenology of aesthetics, Aesthetic experience, Perception and imagination, Givenness and saturation, Ontology of the sensibleAbstract
This article examines how aesthetic experience, within contemporary phenomenology, emerges as an event intertwining perception, imagination, embodiment, affect, and meaning, operating through the logics of givenness and saturation. Drawing on Husserl, Merleau-Ponty, and Marion, alongside contemporary scholars, the study argues that aesthetic experience exceeds representational paradigms by advancing an ontology of the sensible and an ethics of hospitality. It shows that the aesthetic phenomenon is not merely an object of contemplation but an event that summons the subject to exposure, openness, and transformation—where the visible intertwines with the invisible and the sensible becomes a space of symbolic and intersubjective cohabitation. Adopting a theoretical, phenomenological, and critical approach grounded in conceptual and hermeneutic analysis, the study explicitly delineates its theoretical scope and limitations—highlighting the absence of empirical fieldwork and the conceptual emphasis of the analysis—while underscoring the relevance of the discussion to contemporary debates on aesthetics and sensible experience.
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