Between perception and imagination: aesthetic experiences in the lifeworld

Authors

DOI:

https://doi.org/10.33361/RPQ.2026.v.14.n.39.1419

Keywords:

Phenomenology of aesthetics, Aesthetic experience, Perception and imagination, Givenness and saturation, Ontology of the sensible

Abstract

This article examines how aesthetic experience, within contemporary phenomenology, emerges as an event intertwining perception, imagination, embodiment, affect, and meaning, operating through the logics of givenness and saturation. Drawing on Husserl, Merleau-Ponty, and Marion, alongside contemporary scholars, the study argues that aesthetic experience exceeds representational paradigms by advancing an ontology of the sensible and an ethics of hospitality. It shows that the aesthetic phenomenon is not merely an object of contemplation but an event that summons the subject to exposure, openness, and transformation—where the visible intertwines with the invisible and the sensible becomes a space of symbolic and intersubjective cohabitation. Adopting a theoretical, phenomenological, and critical approach grounded in conceptual and hermeneutic analysis, the study explicitly delineates its theoretical scope and limitations—highlighting the absence of empirical fieldwork and the conceptual emphasis of the analysis—while underscoring the relevance of the discussion to contemporary debates on aesthetics and sensible experience.

Downloads

Download data is not yet available.

Author Biographies

  • Tiago Negrão Andrade, FAAC/UNESP

    PhD in Media and Technology from FAAC - Faculty of Architecture, Arts and Communication - Bauru Campus, São Paulo State University "Júlio de Mesquita Filho". Graduated in Social Communication - Specialization in Public Relations from the University of Sorocaba (UNISO).

  • Maria Cristina Gobbi, FAAC - UNESP

    CNPq Research Productivity Scholarship. Associate Professor in History of Communication and Media Culture in Latin America (2014). He completed his Post-doctorate (2008) in the Graduate Program in Integration of Latin America at the University of São Paulo – (PROLAM / USP), a PhD in Social Communication from the Methodist University of São Paulo (2002). Head of the Social Communication Department of FAAC-Unesp (2017-2019). He was a Fellow of the Institute of Applied Research (IPEA) - year 2010-2013. Professor of the Graduate Program in Communication, professor and was vice-coordinator (2009-2017) of the Postgraduate Program in Media and Technology, both of the Universidade Estadual Paulista (UNESP). Administrative Director (2013-2016 management) of SOCICOM (Brazilian Federation of Scientific and Academic Communication Associations). She was Director-secretary of the Folkcom Network. In the 2008-2011 period she was Director of Documentation for INTERCOM (Brazilian Society of Interdisciplinary Communication Studies) and is currently part of the management (2017-2019) in the Fiscal Council. Ad-hoc Consultant (Institutional and Communication Courses) of the National Institute of Educational Studies and Research of the Ministry of Education (INEP / MEC). Coordinator of the Research Group on Latin American Communications Thinking (PCLA) of CNPq. She was Alternate Director of the UNESCO Chair of Communication (1998-2010). Assistant Editor - Latin American Association of Communication Researchers - ALAIC. Winner of the Luiz Beltrão Award - Category: Academic Maturity of the Brazilian Society of Interdisciplinary Communication Studies (2014). He works in the area of ​​Communication, with an emphasis on History of Communication and Media Culture, History and Memory (Communication), Latin American Communication, Youth Cultures, Popular Culture, Cultural Diversity, Media-cultural Profiles (Institutions and Personalities), Theories of Communication and Culture in Latin America, Journalism and its social and technological nuances and Digital Technologies in Latin America, Gender and Human and Social Development  

References

ALLEN, B. Merleau-Ponty: Beauty, Phenomenology, and the ‘Theological Turn’. Theory, Culture & Society, [S.I.], v. 38, n. 3, p. 71-90, 2021. DOI: https://doi.org/10.1177/0263276420915268 DOI: https://doi.org/10.1177/0263276420915268

BENEDEK, Z. The phenomenology of the theatrical performance. Acta Universitatis Carolinae Interpretationes, [S.I.], v. 10, n. 2, p. 187-206, 2020. DOI: https://doi.org/10.14712/24646504.2022.10 DOI: https://doi.org/10.14712/24646504.2022.10

BOBANT, C. French Phenomenology of Art and Metaphysics. Phainomenon. Journal of Phenomenological Philosophy, [S.I.], v. 36, n. 1, 2024. DOI: https://doi.org/10.2478/phainomenon-2023-0009. DOI: https://doi.org/10.2478/phainomenon-2023-0009

CARRERAS, P. Rubicon Crossings: Working at the Margins of Ecotheology and Ecophenomenology. Religions, [S.I.], v. 15, n. 10, p. 1275, 2024. DOI: https://doi.org/10.3390/rel15101275 DOI: https://doi.org/10.3390/rel15101275

CIOCAN, C. Violence and the Limits of Experience. Human Studies, [S.I.], v. 48, n. 1, p. 197-214, 2025. DOI: https://doi.org/10.1007/s10746-024-09753-2 DOI: https://doi.org/10.1007/s10746-024-09753-2

DEROO, N. Phenomenological Spirituality and its Relationship to Religion. Forum Philosophicum, [S.I.], v. 25, n. 1, p. 53-70, mar. 2020. DOI: https://doi.org/10.35765/forphil.2020.2501.4 DOI: https://doi.org/10.35765/forphil.2020.2501.4

EKWEARIRI, D N. Towards a Hermeneutical Modification of Jean-Luc Marion’s Givenness and the Gifted. Religions, [S.I.], v. 15, n. 11, p. 1341, 2024.DOI: https://doi.org/10.3390/rel15111341 DOI: https://doi.org/10.3390/rel15111341

ERIKSEN, T. E. Possibilities and paradoxes in medicine: love of order, loveless order and the order of love. Medicine, Health Care and Philosophy, [S.I.], v. 25, n. 3, p. 465-482, 2022. DOI: https://doi.org/10.1007/s11019-022-10093-0 DOI: https://doi.org/10.1007/s11019-022-10093-0

ESSOM-STENZ, A.; ROALD, T. Imaginative Variations: A Phenomenological Analysis of Imaginary Worlds in Experiences of Visual Art. Estetika: The European Journal of Aesthetics, [S.I.], v. 62, n. 1, 2025.DOI: https://doi.org/10.33134/eeja.565 DOI: https://doi.org/10.33134/eeja.565

FIGAL, G. The primacy of the noematic. On the methodological relevance of art for phenomenology. Continental Philosophy Review, [S.I.], v. 54, n. 2, p. 171-181, 2021.DOI: https://doi.org/10.1007/s11007-021-09531-2 DOI: https://doi.org/10.1007/s11007-021-09531-2

FLACK, P. Phenomenology as an Abortive Science of Art: Two Contexts of Early Phenomenological Aesthetics (Allgemeine Kunstwissenschaft and GAChN). Journal of Aesthetics and Phenomenology, [S.I.], v. 10, n. 2, p. 109-125, 2023. DOI: https://doi.org/10.1080/20539320.2023.2267910 DOI: https://doi.org/10.1080/20539320.2023.2267910

HUSSERL, E. A fenomenologia da consciência do tempo interno. 2. ed. São Paulo: Martins Fontes, 2001.

HUSSERL, E. Ideias para uma Fenomenologia Pura e uma Filosofia Fenomenológica. São Paulo: Ideias & Letras, 2016.

HUSSERL, E. Investigações lógicas. Tradução de José Evandro Nascimento. Petrópolis: Vozes, 2001.

KRAWIEC, A. Sztuka jako objawienie Życia w perspektywie fenomenologii Michela Henry’ego. Ruch Filozoficzny, [S.I.], v. 77, n. 1, p. 57-87, 2021. DOI: https://doi.org/10.12775/rf.2021.004 DOI: https://doi.org/10.12775/RF.2021.004

MÄCKLIN, H. Ingarden, Dufrenne, and the Passivity of Aesthetic Experience. Journal of Aesthetics and Phenomenology, [S.I.], v. 8, n. 1, p. 21-36, 2021. DOI: https://doi.org/10.1080/20539320.2022.2052616 DOI: https://doi.org/10.1080/20539320.2022.2052616

MARION, J-L. Étant donné: essai d’une phénoménologie de la donation. Paris: PUF, 1997.

MARION, J-L. Le visible et le révélé. Paris: Cerf, 2005.

MERLEAU-PONTY, M. Fenomenologia da percepção. Tradução de Carlos Alberto Ribeiro de Moura. 2. ed. São Paulo: Martins Fontes, 2006.

PONTY, M. M. O visível e o invisível. Editora Perspectiva SA, 2020. Tradução de José Arthur Giannotti e Paulo Neves. São Paulo: Perspectiva, 2004.

MURAWSKA, M. The postphenomenological corporeity: artistic practices on the borderline between art and science. Analiza i Egzystencja: czasopismo filozoficzne, n. 49, p. 31-51, 2020. DOI: https://doi.org/10.18276/aie.2020.49-02. DOI: https://doi.org/10.18276/aie.2020.49-02

RENAUDIE, P-J. The history of the phenomenological movement. In: The Routledge handbook of phenomenology and phenomenological philosophy. Routledge, 2020. p. 11-36. DOI: https://doi.org/10.4324/9781003084013-3 DOI: https://doi.org/10.4324/9781003084013-3

SIMONETTI, A. For a mixed reality Aesthetics Marina Abramović and the immersive philosophy. Itinera, [S.I.], n. 28, p. 103-117, 2024. DOI: https://doi.org/10.54103/2039-9251/27837. DOI: https://doi.org/10.54103/2039-9251/27837

TODOROVIĆ, T. The manifold role of Phantasie in Husserl’s philosophy. Filozofija i društvo, [S.I.], v. 32, n. 2, p. 246-260, 2021.DOI: https://doi.org/10.2298/fid2102246t. DOI: https://doi.org/10.2298/FID2102246T

VAN MANEN, M.; VAN MANEN, M. Doing phenomenological research and writing. Qualitative Health Research, [S.I.], v. 31, n. 6, p. 1069-1082, 2021.DOI: https://doi.org/10.1177/10497323211003058. DOI: https://doi.org/10.1177/10497323211003058

VISSE, M.; HANSEN, F.; LEGET, C. The unsayable in arts-based research: On the praxis of life itself. International Journal of Qualitative Methods, [S.I.], v. 18, p. 1609406919851392, 2019.DOI: https://doi.org/10.1177/1609406919851392. DOI: https://doi.org/10.1177/1609406919851392

Published

2026-03-24

Issue

Section

DOSSIÊ VIVÊNCIAS

How to Cite

Between perception and imagination: aesthetic experiences in the lifeworld. (2026). Qualitative Research Journal , 14(39), 191-205. https://doi.org/10.33361/RPQ.2026.v.14.n.39.1419

Similar Articles

1-10 of 148

You may also start an advanced similarity search for this article.